Gossip's latest album emerges as a phoenix from the ashes, marking a triumphant return after twelve years of dormancy. Beth Ditto, Hannah Blilie, and Nathan Howdeshell reunite to shake off the cobwebs from the disco ball, presenting their first collective effort since 2012's "A Joyful Noise." This revival arrives amidst an indie revival, reminiscent of the scene that Gossip once dominated with their groundbreaking album "Standing in the Way of Control" in 2006.
Standing in the Way of Control" introduced Gossip as a multifaceted force, blending soul, gospel, punk, electropop, disco, indie rock, and funk into a delectable sonic concoction. Frontwoman Beth Ditto emerged as a mesmerizing presence, with vocals that could caress or confront with equal intensity.
With "Real Power," Gossip continues their exploration of pop's danceable realms, guided by the seasoned hand of producer Rick Rubin, with whom they collaborated on 2009's "Music for Men." This album, sleeker and more polished than its predecessors, echoes their quest for mainstream recognition while retaining their signature edge.
The album opener, "Act of God," sets the stage with its patchwork of party vibes and Motown influences. Tracks like the title track, inspired by the Black Lives Matter protests of 2020, showcase Ditto's raw vocal power against a backdrop of funky guitars and pulsating synths, reaffirming her prowess as a frontwoman.
Throughout "Real Power," Ditto's voice remains the band's anchor, effortlessly transitioning from smooth soul to riot grrrl defiance. Tracks like "Give It Up for Love" groove to a Nile Rogers beat, while "Crazy Again" delves into the complexities of love with Ditto's vocals ranging from surrender to resistance.
In essence, "Real Power" is more than just a comeback album; it's a testament to Gossip's enduring spirit and their ability to evolve while staying true to their roots. As they resurface with their trademark blend of attitude and infectious energy, Gossip proves that their power is as real as ever.
In the latest offering from Gossip, the provocations take on a gentler hue, reflecting a maturation in the band's sound and lyricism. "What you do in your own time/ Has nothing to do with me," croons Beth Ditto on "Peace and Quiet," a soulful contemplation on the dissolution of her marriage, accompanied by the soft snap of fingers and bongo rhythms. Yet, amidst the subtlety, there are moments where the impact wanes, such as the slightly generic sloganeering of "Light It Up," leaving listeners longing for the punchiness of the band's earlier works.
While traces of Gossip's early thrash brilliance are present, they're not as pervasive as die-hard fans might hope. It appears that time has softened the band's once-sweaty dancefloor fervor. However, viewed from a different perspective, this evolution signals a willingness to explore new avenues of expression, transcending expectations and embracing change as their true power.
In "Real Power," Beth Ditto, Hannah Blilie, and Nathan Howdeshell invite listeners on a journey of sonic evolution, where the familiar meets the uncharted, inviting contemplation and conversation. As they carve out new territories in their musical landscape, Gossip continues to captivate and challenge, proving that true power lies in the willingness to evolve beyond the confines of the past.
In conclusion, Gossip's "Real Power" emerges as a testament to the band's ability to navigate the ever-shifting currents of creativity and reinvention. While some may yearn for the raw energy of their earlier works, the album's gentler provocations and evolving sound signify a band unafraid to explore new horizons. As Beth Ditto, Hannah Blilie, and Nathan Howdeshell invite us to join them on this musical odyssey, we are reminded that true power lies not only in the past, but in the willingness to embrace change and chart a course towards uncharted territories. With "Real Power," Gossip proves that their legacy is not defined by nostalgia, but by their unwavering commitment to growth and transformation in the ever-evolving landscape of music.